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Crow Tongue began after tiMOTHy recorded
the particularly apocalyptic album, Hoofbeat, Caw, and
Thunder which found him singing about huge gatherings
of crows he took for harbingers of the End Times. Having previously
made music with the acid-experimental-folk band Stone Breath,
tiMOTHy was seeking something new. Not a break from what he
did before, but something that encompassed more of his influences
(which range from Middle Eastern music to reggae to Doom).
The key to this, he knew, was rhythms. The final vision became
clear with the addition of Æ Hoskin on drums. Crow Tongue's
live sound has been called everything from "a more tribal
Neurosis" to "Appalachian doom." The band itself
has no name for it - they worship the groove.
Language of Light / Crow Tongue
split 7" · limited 500 · 7"
Vinyl · ECLP001· $8.00 USD
7" split featuring Language of Light and Crow Tongue. Marbled vinyl. Limited to 500 copies. Featuring artwork by Timothy Revelator, Frank Suchomel and R. Loftiss.
FREE from Gimmesound.com. Ad revenue goes to the artist and National MS Society
"... Language of Light emit an oddly measured swirl of violin, female vocals and mist for their side. Crow Tongue, ... whose last ensemble was the brilliant Stone Breath.... have an equally ritualistic heft, ...but their sound is more rooted in rhythmic primitivism..." - Byron Coley, The Wire, Jan 09
"...a good split single by two interesting artists from the American experimental scene. If you ..fancy a peek at what's happening in the US folk/drone avantgarde, do pick up this slab of grey matter." - Evening of Light
" ...hypnotic and magical sounding and really provoking
its content as it is, a moment that could easily last forever."
- Psyche
van Het Folk
"...this is quality stuff indeed...highly recommended
to lovers of folk strangeness." - Ptolemaic
Terrascope
"Slap this one on your turntable for a nice morning
repast of sinister folk loveliness..." - KFJC
Crow Tongue · The
Red Hand Mark · CD · h/e036 · $11.00
USD
The
Red Hand Mark closely mirrors the Crow Tongue live sound.
The bones of this sound are guimbri-banjo (a bass banjo based
on a Morroccan lute), hand-drums, and vocals.
"...a new ritualistic, minstrel sound, that starts rather
neofolk with ethnic flavours, but builds up to a rhythmical
semi-African groove of shamanistic minstrel singing."
- Psyche
Van Het Folk
Crow Tongue · Prophecies
and Secrets: the Red Hand Mark in Dub · CDr
· h/e037· $9.00 USD
Undead Voices
Four Horses Ride
Calling to the Ancient Ears
Owl Eyes
Evergreenman
Patchwork Men
Dreamer Prophets
Corpse Candles
The Red Hand Mark
and reinterpreted, remixed, and otherwise broken down to their
skeletons…all in order to twist, tweak, reimagine, and
rebuild them as Prophecies and Secrets: The Red Hand Mark
in Dub. Not a traditional dub album, but using the techniques
and experimental spirit of dub to create something new from
the source recordings of The Red Hand Mark (also
includes some bonus material).
Continuing
the "Ditch Mix" series with a second volume of deep
root experimentalism using a home-made tape delay system,
home-made instruments, broken effects boxes, and more. For
this volume, Shane Speal provides some drums and Sarada provides
some vocals.
Crow
Tongue’s first full length finds them summoning distant
howls from the fog of night. Fingerpicked strings and Eastern
instruments recall Crow Tongue’s musical heritage (the
acid-folk of Stone Breath), but here they are layered with
primitive homemade instruments, circuit-bent electronics,
and mantric drones.
"...look to the
Whore Rising, salute the Odin and the rest of the Heroes,
kick the Gods' lard arses into touch, and hail TiMOTHy Revelator
as being one highly useful Son of the Bitch." - Head
Heritage, album of the month, April
"The music pulses,
it's alive and shattering, very real in an irreal sort of
way and perfectly smashing for that red X you have marked
on your calendar as 'that special day for a transcendent meltdown.'"
- Foxy
Digitalis
"...something
like droning harmonium, a sitar-like instrument for lead improvisations,
slide guitars, fuzzed and distorted guitars, feedback guitar
sounds, which together create a beautiful rich sound for the
rather psychedelic improvisations..." - Psyche
Van Het Folk
"...a truly astounding
and captivating listen." - Sputnik
Music
Stone Breath · Songs
of Moonlight and Rain (Expanded) · CD ·
h/e031· $11.00 USD
The Ghosts of Sounds Long Dead
Seven Things Placed in a Hollow Tree
Pennies (Stolen from the Eyes of a Dead Man)
Wisdom on the Moth's Wing
Perched Upon the Temple Bell, the Butterfly Sleeps
Flowers on Your Grave
Earthlights
The Sound of Ghosts Long Dead
Words Written on Petals
Willowisp
The Strength to Face the Stars Above
To Cull Undying Flowers
The Flight of the Black Swan
Long Lost Friend
Snaketooth Vision
Thunder Runs Through Me
Footprints of a Ghost Girl *
My Ghost *
Leafwalker *
Funeral Gifts *
Rain Song *
Snaketooth Vision (Birth) *
Seal of Seasons *
Will-o-Wisp (featuring Fit & Limo) *
The Long Lost Friend (cobweb'ed) *
Presaging
the free/freak/acid-folk boom by almost a decade, Stone Breath
carved a unique place in what was then a very lonely neighborhood.
Songs of Moonlight and Rain, the first Stone Breath
album, struck a spectral note somewhere between Syd Barrett
singing nature poetry and The Incredible String Band’s
more lonesome moments; blended with experimental graveyard-songs
and acoustic drones into a brew of darkness and hope; nature
and supernature; love and loss.
This 10-year anniversary edition presents the entire original
album with nine bonus tracks! Several bonus tracks from the
same period – dating back to the very first Stone Breath
song ever recorded (1995), all of the songs from the Strange
Familiars 7" ep, and related songs from later periods,
including a collaboration with Fit & Limo.
* Bonus tracks
"...a beautiful but also extremely sad effect, again
of something lost." - Psyche
Van Het Folk
"...establishes an acid-folk thread somewhere between the occult realms of Current 93, and the mantra-strum of Japanese legends Ghost, and is in the same zone as some of the more haunted moments of Alastair Galbraith's "Morse" and "Talisman" albums." - Mutant Sounds
designed and maintained in the Company of Wolves (c) 2004